斯坦尼演剧体系中国化的成功实践——20世纪五六十年代豫剧现代戏演剧风格的形成

Successful Practice of the Sinicization of Stanislavsky's Tradition——On the Formation of Dramatic Style of the Modern Drama of Henan Opera in the 1950s and 1960s

20世纪五六十年代戏剧界延续始自延安时期的斯坦尼体系中国化的理论思考与戏剧实践,豫剧现代戏是戏曲领域最杰出的代表。豫剧现代戏编创者将中国化的斯氏演剧体系作为"戏曲表现现代生活"探索的核心基点,创造性地将"下生活"规定为艺术创作核心原则与方法,并探索出编、导、演训练培养与创作方法,通过深入理论思考与创作实践,探索形成独特演剧观念与演剧风格,在戏改中取得重大突破,并使豫剧现代戏具备开创流派的基本条件。

In the 1950s and 1960s,the playdom continued the practice of the sinicization of Stanislavsky’s tradition.The modern drama of Henan opera is the outstanding representative.The main director Yang Lanchun takes the sinicization of Stanislavsky’s tradition as the core basic point of“Opera Reflecting Modern Life”,creatively summing up the core principles and methods of art creation about“To Enter the Life”,and explored the training method and creation method of directors and actors.At last,the main director Yang Lanchun had gradually formed its own unique dramatic concept and dramatic style,also made major breakthroughs about reform of Chinese opera in practice,so that the modern drama of Henan opera started to have basic conditions about the creation of genres.