整理国故——俞剑华画籍研究之方法论概述

Rearranging the National Heritage——An Overview of Yu Jianhua's Methodology of the Painting Study

民国初年由胡适所倡导的"整理国故"运动,以理性批判的精神进一步推动了中国传统学术的现代转型。美术理论家俞剑华自觉将"整理国故"的主张运用到画籍研究中,提出了"消极之整理"与"积极之建设"相结合的研究方法,改变了旧式画籍内涵混淆、类例不分、个人感情浓烈的弊端,从而确保了研究的客观与明确,为近现代中国绘画史的编著拉开了崭新的序幕。

The Campaign of Rearranging the National Heritage, advocated by Hu Shi in 1919,ctitically promoted the modernization of traditional Chinese academy. Yu Jianhua, an art theorist, consciously applied the notion of Rearranging the National Heritage to the painting study, and proposed the method of combining passive rearrangement and active construction. This method has ensured the objectivity and clarity of studies by eliminating such drawbacks in the old studying method asconnotation confusion, indiscrimination between catalogues and examples, and strong personal emotions, and thus provided a brand-new prologue to the edition of Chinese modern painting history.