国产仙侠剧《青云志》和《三生三世十里桃花》的叙事创新

A Brief Analysis of the Narrative Innovation of the Domestic Myth Play The Legend of Chusen and Ten Great III of Peach Blossom

从2005年《仙剑奇侠传》的火热开播至今,仙侠剧创造了一系列的收视记录。这股延续十多年的仙侠热潮,已成为一个值得关注的文化现象。近期热播的仙侠大剧《青云志》和《三生三世十里桃花》在继承仙侠剧一贯的叙事风格之上又有了创新之处:融入了女性主义叙事特质的《三生三世十里桃花》,将故事呈现视角以及英雄人物角色都向女性偏移,且赋予了女主人公新时代女性的一些特质,凸显了女性主体意识;而《青云志》则打破了传统仙侠剧正邪对立的叙事观念,在宏观上构建起一种众生平等、正邪无界的价值观。

Since the popular TV series The Legend of Sword and Fairy was on air in 2005,a series of records have been created.Myth TV plays hold ever high ratings.The trend,lasting over 10 years,has become another cultural phenomenon which deserves attention.The latest similar plays,The Legend of Chusen and Ten Great III of Peach Blossom,not only well inherit the everlasting narrative style,but also make some innovations.Ten Great III of Peach Blossom,which integrates female narrative style,is presented from the feminine perspective.What’s more,in this play,the heroine is equipped with some characteristics of women in the new era,highlighting the consciousness of female.The Legend of Chusen breaks off the traditional idea of the conflict between good and evil,constructing a view of equality of all living beings and a world where good and evil are of no boundary on the macroscopic level.