四川汉族民歌在巴蜀文化共生系统中的概念、行为、声音

The Conception, Behaviors and Sounds of Sichuan Han Nationality Folk Songs in Bashu Culture System

美国音乐人类学家梅里亚姆关于音乐人类学的"三维模式"理论是研究音乐中的文化或文化的音乐的一种重要理论范式。他对于音乐本体研究与文化相联系的理论与实践的探索不仅为"音乐人类学"的建立提供了重要的理论基石,他的"三维模式"更是具有全人类视角的理论意义。在当下中国音乐文化概念、行为与声音发生重大的变革下,有必要用符合中华音乐文化的描述,对四川汉族民歌在巴蜀文化共生系统中关于梅里亚姆"三维模式"的内涵与外延进行适当延展,以适应、解释地域性的文化品种与其共生的文化大系统之间的关系,为中华文化更为科学的解释与传承提供思路。

Alan Merriam,the American cultural anthropologist and ethnomusicologist,proposed the tripartite model for the study of ethnomusicology.His study in music and its relation with culture provides a theoretical foundation for the establishment of ethnomusicology.The tripartite model is of great significance in the study of music in culture and the study of music as culture.Nowadays,the cultural concept,behaviors and sounds in China have been undertaking great changes.It is very necessary to review the Sichuan Han nationality folk songs in Bashu culture system under the tripartite model theory so as to explain the tie of the regional culture form to the cultural symbiotic circle where it exists.