摘要
黑白木刻版画课在整个版画专业的教学中占有重要的位置,它既是版画专业的基础课程,又是直接进入黑白木刻创作的课程。版画艺术教学"教无定法",不同的实践教学会产生不同的教学效果。因此,在教学过程中,要有针对性地指导学生多看、多想、多实践,大胆地进行多种教学改革,以期最大限度激发学生的创造意识和艺术灵感。
Black and white wood engraving occupies an important position in the whole teaching process of the engraving major.It is both a fundamental course and a threshold course for the creative work of black and white engraving.It is argued that this course does not followa fixed teaching method and that different practical teachings can lead to different teaching effects.For this sake,the guidance of students should be based on observation,reflection and practice,and teachers should be encouraged to pioneer in teaching reformand maximally motivate students in creative awareness and art inspirations.
作者
刘盛玲
LIU Sheng-ling(School of Art,Guizhou Minzu University,Guiyang 550025,China)
出处
《遵义师范学院学报》
2018年第4期163-165,共3页
Journal of Zunyi Normal University
关键词
版画
黑白木刻
教学
engraving
black and white wood engraving
teaching