摘要
隰尊是帝乙、帝辛时期的青铜器,铭文记录了晚商时期王(很可能是帝辛)亲自参加、由"妇"(很可能是妲己)操办的一次肜祭,器主隰是"妇"的媵臣,在仪式中担任万舞的领舞并受到王赏赐,仪式中用编庸演奏新的祭祀舞曲。此铭与同时期的万(豕匕)方彝铭文以及一些传世文献中的记载可以相互印证,提示出商代晚期仪式用乐发生了体系性的新变化,这与商王朝统治中心的人事变动和政治形势变化密切相关。
The inscription cast on the bronze Xi Zun,dated to the period of Emperor Yi and Emperor Xin,recorded a sacrificial ceremony attended by the emperor(probably Emperor Xin)himself and arranged by Fu(probably Da Ji).Xi,who made the bronze,is one of the subjects of Fu.In the sacrificial ceremony,Xi was the leader of Wan dance team and was rewarded by the emperor.A new sacrificial dance were used in the ceremony.This inscription match up with the inscription of Wanpin Fang Yi and some other literature that there were systemic changes in the ceremonial music during the Late Shang period.These were closely related to the personnel changes in dynastic center and the change of political situation.
出处
《中原文化研究》
2018年第4期107-114,共8页
The Central Plains Culture Research
关键词
隰尊
晚商时期
仪式用乐
Xi Zun
the Late Shang period
ceremonial music
