摘要
文章收集了37件两周时期装饰人物形象的青铜容器,依据人物形象特点将其分为两大类,刖人形象类和人物器足类,并简要分析其特征。在借鉴各位学者的研究成果的前提下,试窥探两周时期人物形象装饰之渊源。从人物器足类器物的出土数量、分布地区、器物形制、传播途径等方面,得出人物器足类装饰风格在西周晚期于山东地区较为盛行,此类装饰风格通过婚嫁、交流等方式传播于山东以外地区。
This paper described 37 bronze vessels of the Western and Eastern Zhou Periods with human figure designs,classified them into two types,namely the type with human figure with one foot cut off,and the type with their legs made into the shape of human figures,and simply analyzed their characteristics.With the reference of previous research results of other scholars,this paper tries to explore the origins of the human figure designs of the Western and Eastern Zhou bronzes.From the unearthing quantity,vessel forms,diffusion approaches and other aspects,this paper revealed that the second type,or the human figures as vessel legs,was rather popular in present-day Shandong area during the late Western Zhou Dynasty,and was introduced to other areas through marriage,transportation and other ways.
出处
《文博》
北大核心
2018年第3期48-56,101,共10页
关键词
两周时期
青铜容器
人物形装饰
Western and Eastern Zhou Periods
Bronze Vessels
Human Figure Designs