摘要
音乐的"意义"和"感性体验与表达"的问题,是音乐理论界长期探讨的课题。以现象学的视阈观察音乐作品意义的感性体验与表达内容和方式,对音乐作品的意义问题,提出了用"历史性的""追求与超越的"与"多重性的"三方面关照来体验与表达音乐的意义。将"意义"和"感性体验与表达"两个问题相结合进行论述,是一种尝试,这种尝试可能给音乐理论界提供些许参考。
Music’s“meaning”and“perceptual experience and expression”have caused long-term discussion within music theory academia.This paper,from the phenomenology perspective,focuses on the meaning of“perceptual experience and expression”of music.It proposes that three aspects-“historical period”,“pursuing and surpassing”and“individuals multiplicity”,are to be taken into consideration to experience and demonstrate the meaning of music.Combining together these two topics-“meaning”and“perceptual experience and expression”is a new attempt.It is hoped that this attempt could provide valuable reference to future academic studies.
作者
唐艺
Tang Yi(College of Music,Shandong University of Technology,Zibo 255000,China)
出处
《山东理工大学学报(社会科学版)》
2018年第3期108-112,共5页
Journal of Shandong University of Technology(Social Sciences Edition)
关键词
音乐作品
感性体验
意向性
意义
music
perceptual experience
intentionality
meaning