“倾斜”的空间与矛盾的启蒙——再论新时期初期的湖南乡土文学创作

The “Inclined” Space and Enlightenment of Contradiction:On Local Literature of Hunan in the Early Period of the New Period

潇湘大地是"茶子花流派"(1)的故乡,也是他们文学书写的空间对象,更构成了他们的精神原乡,发挥着"时空体"的作用。在"茶子花流派"的集体无意识中,"空间意识"较之于文化遗传更为隐蔽。文本中对空间内部的景象风物、世俗人情、语言文化的描写,不仅确立了其迥异于其它地域写作的叙事与美学风格,而且所流露出来的情感和文化倾向,折射出了一种"倾斜"的空间意识,又与20世纪80年代集体性的"新启蒙"思潮相悖,体现出了作家们矛盾的启蒙立场。

Hunan is the hometown of“Chazihua Literary Genre”,and it is also the object of their literary writing,constituting their spiritual hometown and playing the role of“space and time”.In their collective unconsciousness,“space consciousness”is more concealed than cultural inheritance.The description of the scene,the secular situation and the language and culture in the space not only establishes its narrative and aesthetic style,which is different from other regions,but also reflects the emotional and cultural tendency,reflecting an“inclined”space consciousness that goes against the“new enlightenment”of the collective in the 1980s.The conflicting trend reflects the writers’contradictory enlightenment position.