现代性自我确证视野下的“新水墨”

The New Ink Art in View of the Modernity Self-validating

克莱门特·格林伯格等人建构的西方现代绘画之路,从艺术门类自律内部对现代性自我确证进行回应,有其不可替代的价值。中国水墨艺术现代性突进的动力不同于西方的"二元论"张力说,显然也不是刘小枫的"一元论"能覆盖,其复杂的张力结构既预示了中国式现代性出场的艰难,又可能创生更为多样丰富的现代性路径及成果。新水墨转型面对的诸多中国语境是中国现代性具体性的一部分,从门类艺术内部对现代性自我确证动力的观察,有助于我们认识纷繁复杂的新水墨创作现状,进而推进中国现代性的具体性研究,最终论证、建构包括水墨艺术在内的中国现代性话语体系。

Clement Greenberg and others’western modern painting theory responding to the modernity self-validating from the interior of the art discipline is irreplaceable.The driving force of Chinese ink art is different from western“dualism”to“monism”of LIU Xiaofeng,which conceals difficult points and possibility of Chinese modernity.The modernity transformation of the new ink art is a part of the modernity transformation of Chinese civilization.Studying the new ink art from the interior of the art discipline can help one to understand the complex creation status of the new ink art,and promote the study of Chinese modernity as a specific fact.Finally,it will demonstrate and construct the discourse system of Chinese modernity including ink and wash art.