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马启代《黑白辩》的视角艺术

Art Perspectives on MA Qidai's Black and White Debate
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摘要 《黑白辩》可以说是"泰山诗囚"三年多黑色生活的黑色思考与白色结晶。诗歌通过将作者幻化成叙述者、抒情者和观察思考者,从而建构了一条视觉艺术通道。从叙述视角意义看,诗人在进入诗歌创作时采用了限制视角,外部世界原因、过程和结果的发展链条呈现出外显和内隐,在诗歌的外在形态和深层原委之间形成了艺术张力。 Black and White Debate can be regarded as Tai poet prisoners’black thoughts and white crystals for over three years dark living.By turning the author into a narrator,a lyric and a thinker,the author constructs a channel of visual art.From the perspective of narrative sense,the author uses limited perspective when entering into poetry,The development chain of the external world,process and result show explicit and implicit,and the artistic tension is formed between the external form of poetry and the deep origin of the original committee.
作者 牛殿庆 NIU Dianqing(Ningbo City College of Vocational Technology,Ningbo,Zhejiang 315100,China)
出处 《宜宾学院学报》 2018年第7期89-93,共5页 Journal of Yibin University
关键词 马启代 黑白辩 叙述视角 黑色思考 白色结晶 MA Qidai Black and White Debate narrating perspective black thoughts white crystal
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