以“字”为本位的汉语文化重构——论郑敏的文学语言思想及其文化政治意味

Reconstruction of Chinese Culture Based on“Character”:On ZHENG Min's Thought of Literary Language and Its Cultural Politics

郑敏在对"五四"以来汉语变革反思的基础上,借用德里达的解构主义理论表达了重构以"字"为本位的汉语文化、接续文言传统血脉的主张。她认为以"形象性"为基本特点的汉字不仅有利于审美表达和传播信息,更与中华民族的文化心理、文化传统密切相关。郑敏的文学语言思想是民族自我意识觉醒的表征,也是对整个现代文明的困境和危机的反思,与1990年代中国的文化时空具有同构性。

Zheng Min reflected on the Chinese language revolution since the“May 4 th”from Derrida’s deconstruction theory,and presented her views of refactoring Chinese language culture based on Chinese“characters”.She thought vivid Chinese characters not only benefited for aesthetic expression and communication,but was closely related to Chinese cultural psychology and cultural traditions.ZHENG Min’s thought of Chinese language and the cultural situation of China in the 1990s are isomorphic,which is a representation of her national self-consciousness awakening,and also a reflection on the predicament and crisis of the whole modern civilization.