梨园戏《董生与李氏》与李贽哲学思想

Liyuan Opera The Widow and the Man of Letters and Li Zhi's Philosophy

梨园戏《董生与李氏》的内涵体现出与"异端"思想家李贽思想的不少共性,主要在于三教归儒说、批判程朱理学以及辨别真伪道学。古代李贽与当代王仁杰产生了对话关系,将这对话关系置于历来传统而开放、敢为天下先的泉州这个区域考察,更有着地域文化延传的理据。将《董生与李氏》、李贽思想及程朱理学放在同一地域的人文地理脉络里,可见到当中思想文化承袭与碰撞的痕迹。

The Liyuan Opera The Widow and the Man of Letters manifests similarities in ideological culture with the dissident Li Zhi,mainly in terms of the assertion of Three Religions to Confucianism,the arguments against Cheng-Zhu school and the discrimination between the truth and the prudery.Its author,the contemporary playwright Wang Renjie and the ancient philosopher Li Zhi start a certain kind of dialogue,which is motivated by the regional cultural context of Quanzhou,a place with tradition,openness and pioneering spirit.Meanwhile,the inheritance and the collisions of ideologies are spotted when the opera,Li Zhi’s philosophy and Cheng-Zhu school are examined in the same human geography tradition.