摘要
从人物的生活历程看,"越界"视角更适用于分析莎翁悲剧中的女性角色。莎翁悲剧中的女性角色"越界"之后身处异化空间,既无法坚持原初空间的社会规范尤其是伦理规范,又不能完全融入异化空间,往往处于无法自由言说的表达困境,无论在行为上还是心理上都产生了剧烈的冲突。人物的这种冲突贯穿了戏剧发展的始终,产生了强烈的戏剧张力。
Based on their life experiences,“transgression”is a more appropriate perspective to analyze the female roles in Shakespeare’s tragedies.Once having transgressed,these females are placed in an alienated space,where they can neither observe their original social norms,in particular,the ethic norms,nor are completely merged into the alienated space.As a result,they are trapped in the predicament of making no voices,and suffer great conflicts behaviorally and psychologically.These conflicts go through the whole play and generate poignant dramatic tension.
作者
李秀芳
LI Xiufang(Foreign Languages School,Shaoxing University,Shaoxing 312000,China)
关键词
“越界”视角
女性角色
戏剧张力
“transgression”perspective
female roles
dramatic tension