形式美法则在《瑞鹤图》中的运用探析

An Analysis on Applying the Law of Beauty in Form in Auspicious Cranes

宋徽宗赵佶尤其精于翎毛花卉的描绘,在工笔花鸟画方面艺术成就最高,《瑞鹤图》反映了其高深的艺术造诣。从形式美法则的概念及运用出发,发现赵佶有意无意地运用了形式美法则对《瑞鹤图》进行绘画创作,具备了构图、物象的安排,各种艺术手段的和谐运用,意象手法等,仙鹤盘旋在宣德门上空美妙绝伦的景象出现在世人面前,让人惊叹不已。

Zhao Ji,the emperor of Huizong of song dynasty,does especially well in depicting flowers and birds,having achieved the highest artistic achievements in the meticulous flower-and-bird painting.Auspicious Cranes reflects his profound artistic attainments.This paper,starting from talking about the concept and application of the law of beauty in form,and finds that Zhaoji consciously or unconsciously uses the law of beauty in form while creating the painting of Auspicious Cranes.In this painting,he takes the clever arrangement in composition and images,makes the harmonious use of various artistic means,and adopts the technique of image.People are marveled the appearance of the splendid scene which depicts the cranes’hovering above the gate of Xuande.