浅析清末“海派”花鸟画的图式特征

Pattern Characteristics of Flower-and-Bird Paintings with “Shanghai Style” in the Late Qing Dynasty

清末海派花鸟画在近现代中国画发展中具有极其特殊的地位,尤其是没骨画技法,具有与以往没骨画显著不同的图式特征。不同的时代文化催生出不同的艺术形式与特征。通过对清末海派不同时期、阶段的没骨花鸟画的笔墨结构、图式特征及发展进行分析,研究清末海派没骨花鸟画的图式特征及其背后隐含的深层原因,对于当下多元文化语境下中国画笔墨语言的创新与发展具有积极的参考和借鉴意义。

In the late Qing dynasty,the flower-and-bird painting with Shanghai style has a very special status in the development of modern Chinese painting,especially the technique of boneless painting which has obviously different pattern features from the previous boneless painting.The culture in different times will give birth to different art forms and characteristics.This paper analyzes the structure of drawing,pattern characteristics and development of the boneless flower-and-bird painting in different periods and at different stages,studies the pattern characteristics of the boneless flower-and-bird painting with Shanghai style in the late Qing dynasty and the deep hidden reason,which has a positive reference for the innovation and development of Chinese painting language in the multicultural context.