后现代主义电影情感观映照下的《她》与《龙虾》

Postmodernism Film Emotional View Her and Lobster

当代院线电影中因为受众面不同,观众对于导演所表现的观念理解上的差异,特别在当下中国快餐精神产物支柱利益链条下,影视作品中大部分剧情的可读性与寓意性在大多数情况下都会产生剧情与镜头语言的冲突与差异,电影行业如何通过画面和剧本更贴切表现一种主题,特别是对于电影消费主要群体受众面价值观所关注最多之一的"情感观",在快餐文化下越来越多值得"琢磨"的作品出现代表着不同受众下电影产业的主题性转变。

Contemporary theatrical film because the feeling is different,the audience for the director of the differences of concept understanding,especially in the present Chinese fast food spirit pillar product interests chain,how the film industry through pictures and play better performance a theme,especially for the film consumption values of major groups at one of the most concern of"emotion",under the fast-food culture appears more and more worth,is"thinking"represents the film industry's thematic change under different audiences.