摘要
新历史主义视历史为本文,最大限度地还原历史与现实的共时性系统,表达了作为社会无意识的日常生活的特性。新文化运动也在传统和现代的多元架构上实现了文化调适,蕴含了日常生活的"着陆"旨趣。历史传统的重构表达了权力的生产和抵制,而这种权力维护的恰恰是民族的日常生活方式,一如原始野性力量所守护的延续几千年的日常生活惯例那样。历史剧争鸣的倾向性选择透露了直面日常生活的消息。新历史主义的文化特性和色彩主要体现在两个方面:一是新历史主义的形成。二是新历史主义的主张。新历史主义小说在对政治的某种放逐中实现了文化置换和超越。新历史主义之"新"就在于从过去转向现在,以今带古,自觉建立了表述的日常生活系统和修辞。
By returning to the co-existing system of history and reality to the greatest degree,the new historicism regards history as text,and expresses the quality of daily life as social non-sense.The New Cultural Movement also succeeds in accommodating culture in traditional and modern frameworks,which embodies the"touch-down"purport of daily life.The reconstruction of historical traditions shows the production and resistance of power,which protects the national way of daily life,just as the national custom of daily life is preserved by the wild primitive forces.The selective tendency of historical drama shows the message towards daily life.There are two aspects to the cultural character of the New Historicism.One is the formation of the new historicism,and the other is its doctrines.By separating itself from politics,the New Historicism fiction finishes the cultural transformation and transcendence.The newness of the New Historicism lies in its turn to the present from the past,and its setting up a daily life presenting system.
作者
关峰
GUAN Feng(School of Liberal Arts,Northwest University,Xi'an 710127,China)
出处
《东方论坛(青岛大学学报)》
2018年第4期84-90,共7页
Eastern Forum(JOURNAL OF QINGDAO UNIVERSITY)
基金
陕西省社会科学基金项目"日常生活视阈下陕西长篇小说的精神谱系研究"(2016J033)