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“网文”通向电视之媒介选择——从《后宫甄嬛传》在电视上的“被删”谈起

The Medium of Choice on the Way of "Online Literature" to Television:Starting from the "Deleted Parts" of the TV Play The Legend of Zhen Huan
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摘要 关于"甄嬛传","网文"与电视剧这两种传播介质在时空、人物、线索、叙事重点等方面具有不同处理方式,反映出"网络聚落"的情感结构、文化心理和社会意识。以电脑屏幕为界面、以网络为媒介,"网文"的合法性及特殊性由此获得。在这个基础上,才能区分"网文""作者"与传统文学的"作者"在生产方式、媒介选择上的差异性,而"文粉"和观众的区别内在于不同的媒介。两种媒介,不同处理,反映了媒介区隔出的差异性大众文化意识形态。 The online novel The Legend of Zhen Huan and its TV play adaptation are different in terms of time and space,characters,storylines and narrative emphasis.These differences has shown the emotional structure,cultural psychology and social consciousness of the“online settlements.”“Online literature”gains its legitimacy and particularity via the Internet and laptop screen.It is on this basis that one can distinguish between the creation modes and the medium of choices of the“authors”of“online literature”and the“authors”of traditional literary writing.The difference between“online literature fans”and TV audiences is premised upon the the difference between their media.The two different renditions reflect the diversity of popular cultural ideology.
作者 张春梅 Zhang Chunmei
出处 《中国文学批评》 2018年第3期112-119,159,160,共10页 Chinese Journal of Literary Criticism
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