“恶”中之“美”——邵洵美《花一般的罪恶》与波德莱尔《恶之花》的比较研究

The "Beauty" in "Evil":A Comparative Study of Shao Xunmei's Floral Sin and Baudelaire's The Flowers of Evil

邵洵美在20世纪30年代的中国诗坛颇受关注,但其仿照波德莱尔《恶之花》创作的诗集《花一般的罪恶》历来却颇受微词。总体而言,二者的两部作品,在对艺术世界的呈现中,颓废与自由并存;在对自由与美的呈现方式上,大胆地"雅人之不雅";在对自我的探寻上,诗我合一、自由超脱。他们以全新的视角,在艺术创作中挖掘"恶"中之"美",揭示了"丑"独特的审美意义。

Shao Xunmei was a noted poet in the 1930s,but his poetry anthology Floral Sin,modeled upon Baudelaire’s The Flowers of Evil,has always been satirized.In general,decadence and freedom coexist in the presentation of artistic world of two works;in the presentation of freedom and beauty,they both boldly“turn inelegance into elegance”;they both show a free and unconventional spirit,and the integration of poetry and“I”in the pursuit of self.Both works explore the“beauty”of“evil”in artistic creation from a new perspective,revealing the unique aesthetic meaning of“ugliness.”