当代法国社会学派文学经典化理论的演变——从布尔迪厄的“文化场”到卡萨诺娃的“世界文学空间”

The Transformation of the French Sociological Perspectives into Literary Canonization: From Bouerdiu's “Field of Production” to Casanova's “World Literary Space”

基于对法国"文化场"中的文学经典化现象研究,皮埃尔·布尔迪厄提出了社会学派文学经典化理论,从资本与市场、文学与审美两个维度阐明了文学经典的社会化生产的轨迹和路径。帕斯卡·卡萨诺娃突破了布尔迪厄经典建构理论的民族-国家框架,提出了"世界文学空间"中文学经典建构的全球模式,不但对布尔迪厄的"文化场"理论在时空上进行了扩展,而且还更新了布尔迪厄有关文学经典化价值创造逻辑的阐释。

Based on case studies of canonization of Modern French literature within a national framework,Bourdieu puts forward the theory of canonization from the sociological perspective,which elaborates on the process and approaches of social construction of literary canon in the dimension of capital and market as well as that of literature and evaluation.Transcending the national framework of Bourdieu′s model,Casanova presents a global model of construction of the literary canon in“World Literary Space.”She not only expands the territory of the literary field in time and space but also updates the theory of the logic of value creation in literary canonization.