景观意象下的诗化符号--基于符号学背景下的地域文化特色探究

The Poetic Symbol under Landscape Imagery: The Regional Culture Characteristics Exploration Based on the Background of Semiotics

"从观物取象"到"境生于象外"正是景观符号的创造演变过程。一元素,一符号,一场革命,景观有了符号的叠加仿佛有了意境的环绕,就像清代叶燮说的"妙在含蓄无垠,思致微渺,其寄托在可言不可言之间"。通过景观意象下对符号进行诗化的解读,运用"错词造句""倒装造句""复合从句"这3种符号语言模式对景观符号的创作模式进行解读并整理出其表征模式,继而探讨诗化的符号在景观意象的创作中与传统文脉记忆的关系,以及如何用景观符号去传承地域性文化。

From"watching for images"to"the artistic conception generated beyond imagery"is just the evolution process of the landscape symbol creation.One element,one symbol,one revolution,with the symbols overlap,the landscape seems surrounded by artistic concept.As Ye Xie in Qing Dynasty said,"Charm lies in boundless connotation and wandering ideology,which places hopes between the speakable and the unspeakable".Through poetically interprets the symbol under landscape imagery,it uses the"wrong sentences","Inverted sentences",and"compound clauses"these three kind of symbolic language patterns to interpret and sort out the characterization mode of the landscape symbol creation mode,and then discusses the poetic symbol in the landscape imagery creation and the traditional context memories as well as how to use the landscape symbol to inherit the regional culture.