明代“江右王门”之文学观念

The Ming Dynasty Jiangyou Wang's Literary Concepts

作为明代阳明学派的重要分支,在传衍心性之学的同时,"江右王门"以心学作为理论基础发表文学见解,并形成了自己的一套文学观念体系。在创作门径方面,他们提倡以"师心"为途径,反对泥古不化;在情感表现方面,他们强调性情之真和性情之正;在文学功用方面,他们不仅重视文学的内在道德修养作用,而且强调其外在的经世为用价值。总体而言,"江右王门"之文学观念对"复古""师心""经世"等交织于明代诗文坛坫的理论命题多有关涉,既遵循儒家义理传统,又辅之以现实并发为评议,以经世为鹄的,其学理意识、地域特色以及时代针对性均见突出,对于明代文学思想的发展演变脉络的梳理探讨而言,其所具有的参考价值毋庸置疑。

As an important branch of Yangming academic school in the Ming Dynasty,in the dissemination of Confucianism at the same time,“Jiangyou Wang academic school”uses psychology as the theoretical basis to express literary ideas,and has formed a set of system of their own literary ideas.In the creation path,they advocate“teacher heart”as the way to promote emotional performance;and they emphasize the true emotion and temperament.In terms of literature function,they not only attach importance to inherent morality of literature,but also emphasize the external statecraft value.In general,the literary concept of“Jiangyou Wang academic school”is related to the theoretical propositions of“ancient restoration”,“teacher”and“statecraft”intertwined in the literary world of the Ming Dynasty.It follows the Confucian principles and complements the reality.Concurrently,it is commented,and it is worthy of the world’s ego,its academic consciousness,regional characteristics and the pertinence of the times are prominent.Its reference value is unquestionable for the combination and discussion of the development and evolution of the literary thought of the Ming Dynasty.