摘要
唐代的内教坊与周朝以来设置的房中乐中的共同的主角是女性乐人,也就是历史上的女乐。它们之间是否存在承接关系是中国音乐史中没有涉及的课题。本文从两者的乐人出发,分析它们的关系,理清内教坊乐人的来龙去脉。
The common main role of the domestic teaching studio in the Tang Dynasty and the chamber music since the Zhou Dynasty is the female musician, historically called Nu Yue. Whether the two have a direct relationship is a untouched topic in the Chinese music histor y. This essay attempts to analyze the relationship between the two by combing through their causes and effects.
出处
《南京艺术学院学报(音乐与表演版)》
2018年第3期1-4,共4页
Journal of Nanjing Arts Institute:Music & Performance
关键词
内教坊
房中乐
女乐
domestic teaching studio
chamber music
female musician