摘要
J·S·巴赫及其音乐在当下的理解和接受是一个具有现实意义的课题。文章从巴赫时代的德奥社会、文化思潮、音乐现状等视角切入,结合巴赫的简要生平及创作对其音乐理念、音乐风格及音乐接受进行探讨。文章认为:巴赫在其音乐中创造了一个音乐世界,但他本人并没有站在现实音乐世界的中心,巴赫音乐的"重新发现"与自律论美学的兴起具有密切的联系。
The current understanding and acceptance of J. S. Bach and his music is a topic of realistic significance. From the perspective of the German and Austrian society, cultural trend, and music status in the time of Bach, this paper discusses Bach's music concept, style, and acceptance based on his brief biography and works. The article argues that Bach created a musical world inside his music but he himself did not stand at the center of the real musical world. The "rediscover y" of Bach's music is closely associated to the rise of the autonomic aesthetics.
出处
《南京艺术学院学报(音乐与表演版)》
2018年第3期98-103,111,共7页
Journal of Nanjing Arts Institute:Music & Performance
基金
2016年陕西省科技厅面上项目<陕西原创音乐对"丝绸之路经济带"建设的作用及前景研究>(项目编号:2016KRM109)的阶段研究成果