摘要
2018年6月12日下午,“纤夫的足迹——白德松2018画展”在重庆美术馆举行隆重的开幕仪式。本次展览主要分为:“魏晋文人系列、云山系列、静观系列、庄子语言系列”“中国古代神话系列、黄遵宪诗意画系列、写意花鸟斗方系列”及“连环画系列”三个部分。展览诠释了白德松先生逍遥而不超脱、综合而非纯粹的创作风格,对中国当代艺术需要个人主体性对文化历史与艺术传统的创造性重启起到了里程碑式的作用。作为此次展览执行者之一,魏东老师介绍了展览总体情况和策划理念,并就展览主题做出自己的诠释。
The grand opening ceremony of The Footprint of Boat Tracker:2018 Painting Exhibition of Bai Desong was held at Chongqing Art Museum on June 12,2018.The exhibition is divided into three parts:“Wei Jin literati series,cloud&mountain series,Jingguan series,Zhuangzi language series”,“Chinese ancient mythology series,Huang Zunxian poetic painting series,flowers&birdsworks in freehand with square paper”and“comic series”,expressing a good interpretation of Mr.Bai Desong’s comprehensive rather than absolute creative style,which plays a role of milestone in Chinese contemporary art that needs a reboot of cultural history and artistic tradition by personal subjectivity.As one of the executors of this exhibition,Mr.Wei Dong introduced the general condition and curating concepts of this exhibition,elaborating the theme from his perspective.
出处
《当代美术家》
2018年第4期50-53,共4页
Contemporary Artists
关键词
传统文化
艺术使命
纤夫的足迹
traditional culture
artistic mission
The Footprint of Boat Tracker
