摘要
肖邦的前奏曲中展现出多样的纵横音响层次布局,这些多样的音响布局不论是从音响层次的叠合式音响,到功能性音响效果,还是音响运动的结构性比例及布局,都呈现出丰富多样的多层性音响组织思维。文章以肖邦前奏曲的多层音响思维为研究对象,梳理和分析肖邦作品的形态构造,解构和重构肖邦在前奏曲中所表现出的各种音响组织构思,阐释并探讨肖邦多层音响构成的多面性和多变性,以期在演奏中实现更充分、准确、合理的情感表达。
In Chopin’s preludes,there is a wide variety of multi-layer layout.From superimposed sound levels,to functional sound effects,and to the structural proportion and layout of sound movements,all present a rich and diverse sound organization.On that basis,this paper studies the multi-layer sound organization of Chopin’s preludes,analyzes the morphological structure of Chopin’s works,deconstructs and reconstructs the sound organization in Chopin’s preludes,interprets and explores the multifacetedness and dynamics of Chopin’s multi-layer sound composition so as to enable a more accurate and reasonable emotional expressions when playing his music.
作者
孟颖
MENG Ying(College of Music,Zhejiang Normal University,Jinhua 321004,China)
出处
《浙江师范大学学报(社会科学版)》
2018年第5期97-109,共13页
Journal of Zhejiang Normal University(Social Sciences)
关键词
肖邦前奏曲
音响
多层性
Chopin’s preludes
sound
multi-layer