摘要
20世纪50年代"改造中国画"运动时期,傅抱石的"领袖诗意画"是山水画主题创作的一类范例。这种巧妙衔接时代文化与传统经验的艺术创新得益于傅抱石的个人优越条件和诸多外部因素,傅抱石正是运用这些优势敏锐地洞察时代文化脉搏,在毛泽东诗词中寻找衔接传统文化的契机,转化传统绘画中的时空经验、理论经验、技法经验,生动地反映着时代文化。
During the"Reconstruction of Chinese Painting"movement in the 1950s,Fu Baoshi's"Leader Poetry Painting"is an of example of the theme creation of landscape painting.This kind of artistic innovation that ingeniously connects the culture of the times and traditional experience benefits from Fu Baoshi's personal superiority and many external factors.Fu Baoshi is using these advantages to perceive the pulse of the times and to find opportunities to connect traditional culture in Mao Zedong's poetry.Transforming time and space experience,theoretical experience and technical experience in traditional paintings vividly,his paintings reflect the culture of the times.
作者
耿杉
Geng Bing(Sichuan Academy of Fine Arts,Chongqing 401331)
出处
《新疆艺术学院学报》
2018年第3期49-55,共7页
Journal of Xinjiang Arts University
关键词
时空
新中国
传统经验
time and space
new China
traditional experience