感伤文化与清初戏曲创作关系探析

An Analysis of the Relationship between Sentimental Culture and the Creation of Opera in the Early Qing Dynasty

作为我国传统的文化类型和现象,感伤文化是一个悠久的存在。在清初由于"天翻地覆"的故明亡国惨变,使得感伤文化深入广泛地濡染剧坛。无论从题材内容的选择上,还是对剧作时间、人物故事、作品命名、舞台再现性、叙事范式、叙述策略等的剪裁处理上,皆见出感伤文化对戏曲创作产生的深入影响。而此种处理背后,也体现出特定的幻灭感、悼亡情绪、文化反思和褒贬忠奸的文化内涵。

As a traditional cultural type and phenomenon,sentimental culture has a long history.In the early Qing Dynasty,due to the tragic changes of the Ming Dynasty and the country,the sentimental culture was deeply and extensively stained with the drama.Whether from the selection of the subject matter content,or the drama drama time,character story,work naming,stage reproducibility,narrative paradigm,narrative strategy,etc.,we can see the deep influence of sentimental culture on the creation of Opera.Behind this kind of treatment,it also reflects the specific sense of disillusionment,the sentiment of mourning and death,the cultural reflection,and the cultural connotation of criticizing loyalty.