唯一之词:有关诗歌的稳固特性——以宋炜和张枣为例

The Only Words: On the Fixed Features of Poetry with Song Wei and Zhang Zhao as an Example

迟至今日,新诗的合法性地位依然难以得到确立,由此在新诗百年之际显现出某种信心不足与弥补信心的迫切,但百年新诗并非毫无建树,一些堪称范例的经典作品早已出现,即便出现了打着"探索新诗边界"旗号的多余造物,却也证明了新诗甫一出世就包含了庞大的探索可能与语义边界之特性。新诗之"新"一方面指代崭新的诗歌形式,另一方面也道明了新诗本身的发明特征。然而新诗之"新"并非毫无章法,在纷繁复杂的现代经验面前,新诗对字词有着更为严苛的要求,一首成熟的诗歌外表光滑且圆润,自成一个圆满的图像,在一个"整体原则"之内,所用字词句法充满黏着度,使得诗歌呈现出难以替换的惊异特性。

So far the legitimate status of New Poems has not been established.Hence,a lack of confidence is shown as the centennial anniversary of New Poems approaches.Nevertheless,there are some masterpieces in the New Poems.A striking feature lies in semantics.The so-called“new”poetry stands for a brand-new poetic form as well as the inventive nature,but it is not disorderly.Instead,it has a strict requirement for wording,images,“overall principles”and uniqueness of words and syntax.