文化人类学视野下的京剧乾旦艺术解构

The Deconstruction of Qiandan Art in Peking Opera from the Perspective of Cultural Anthropology

从文化人类学的视角深入解构京剧乾旦艺术,可以发现其包含有丰富的性别人类学、符号人类学、象征人类学、两性同体主义等方面的深刻内涵。厘清这些内涵,有助于理性看待当今社会关于京剧乾旦艺术的存废扬抑之争。

By destructing Qiandan art of Peking Opera from the perspective of cultural anthropology,it contains profound connotation about gender anthropology,symbolic anthropology,and androgyny.Distinguishing the relations among them will be helpful to understand the problem of evolution for the existence and depression of the Qiandan art in Peking Opera nowadays.