摘要
汉代木结构建筑的发展与创新奠定了我国古代木结构建筑的结构基础,本文以汉画像形成的历史背景为出发点,从天人合一与孝道两方面分析了汉代的社会主流思想,进而从汉代墓室结构与汉画像两个方面分析印证了汉代人的丧葬思想。最终从汉画像中建筑的类型、建筑的地域性特征以及建筑的等级性三方面分析论证了建筑汉画像的写实性。
The development and innovation of the wooden structure in Han dynasty laid the foundation of the ancient wooden structure in China.The Han Dynasty portrait in the tomb of Han Dynasty is an important basis for studying the architecture of the Han dynasty.This paper formed in the Han Dynasty historical background as the starting point,from the two aspects of harmony between man and nature and the analysis of the social mainstream ideology of filial piety in the Han Dynasty,and from the two aspects of structure of Han Dynasty tombs of the Han Dynasty and the analysis confirms the Han people's funeral thoughts.Finally,the paper demonstrates the realism of the Han portrait from three aspects:the type of the building,the regional characteristics of the building and the grade of the building.
作者
任海洋
刘作
REN Hai-yang;LIU Zuo(School of Architecture and Urban Planning,Nanyang Institute of Technology,Nanyang 473004,China)
出处
《南阳理工学院学报》
2018年第4期86-89,共4页
Journal of Nanyang Institute of Technology
关键词
建筑汉画像
汉代建筑
写实性
Han Dynasty portrait on architecture
architecture in Han Dynasty
realism