摘要
徐则臣的《耶路撒冷》在一个"出走—回乡—出走"的叙事模式中书写了一群"70后"青年的精神信仰史和心灵救赎史。城市"局外人"和故乡"陌生人"的身份让"70后"初平阳成了无根的漂泊者,到耶路撒冷去成了他寻找精神信仰的旅行目标。《耶路撒冷》在理想主义的信仰叙事中暗含了一个"70后"群体灵魂救赎和自我成长的叙事,人生是不完美的,人性是不完善的,人要真诚面对自我、面对生命以求真正的成长与成熟。《耶路撒冷》采取了复调式的叙事结构,这种复合型文体与"70后"心灵史的书写具有同构性。
Xu Zechen’s Jerusalem depicts a group of post-70s young people’s spiritual belief history and soul redemption history in a narrative pattern of“escaping-returning-escaping”.The identity of“outsider”in the city and“stranger”in the hometown makes Chu Pingyang,a post-70s to be a rootless wanderer,and the trip to Jerusalem becomes his travel goal of seeking spiritual belief.Jerusalem adopts an idealistic belief narrative,and itimplies a group of post-70s’soul redemption and personal growth.Life is not perfect and human nature is not consummate,people should face themselves and life sincerely in order to attain the real growth and maturity.Jerusalem adopts a polyhonic narrative structure,and this composite style is isomorphic to the description of the post-70s’mental history.
作者
王振军
WANG Zhen-jun(School of Humanities and Law,Henan Institute of Science and Technology,Xinxiang 453000,China)
出处
《齐鲁学刊》
CSSCI
北大核心
2018年第5期154-158,共5页
Qilu Journal
