摘要
马克思现代性思想主要围绕经济生产实践展开,有很强的现实针对性。从这个角度看四十年中国文艺理论,可大略分为诗化和散文化两个时期。诗化时期的中国文艺理论主要在价值空间建构文艺的自律性,离中国现代性社会经济现实距离较远;散文化时期受工具理性影响,中国文艺理论开始承认文艺商业属性的存在,并尝试在这种社会他律性和自律性之间建立有机的联系,形成一种张力关系。尽管这种尝试目前尚不成熟,但应该是中国文艺理论现代性建设的一个合理基点。
Karl Marx’s Modernity Thoughts are based on the economic production practice with very strong realistic pertinence.By these,Chinese literary theory in recent 40 years can be divided into two periods:poetic stage and prosy one.During the poetic stage,Chinese literary theory pays much more attention to literary autonomy in value space while keeping away from modern economic realities.In the prosy one,Chinese literary theory begins to recognize its commerciality because of the instrumental rationality and tries to build the connections between the autonomy and the social heteronomy.It could be a reasonable basis on which the Chinese literary theory relies.
出处
《湖北大学学报(哲学社会科学版)》
CSSCI
北大核心
2018年第6期44-53,176,共11页
Journal of Hubei University(Philosophy and Social Science)
基金
国家社会科学基金重点资助项目:18AZW005。