摘要
20世纪五、六十年代是纽约派创作的巅峰时期,诗人与同时期的先锋派音乐家进行了跨界的交流,风格迥异的音乐元素也浸染到诗人的主题创作中,形成了鲜明的特色。阐释了纽约派诗歌中的爵士音乐、古典音乐和即兴音乐元素,讨论了诗歌文本与音乐艺术的有机融合,拓展了音乐精神和诗歌文化的新视野。
The New York school had reached its peakin the 50s and 60s in 20th century.There were trans-boundary exchanges betweenthe poets and the avant-garde musicians of the same period.Thediverse styles of musical elementswere also implantedinto the poetry themes,forming distinctive features.This article explains the jazz,classical and improvisational music in the poetry of New York school,discusses the organic integration of poetry text and music,and expands the new vision of music spirit and poetry culture.
作者
程仲
CHENG Zhong(School of Foreign Languages,Anhui University of Science and Technology,Huainan,Anhui 232001,China)
出处
《安徽理工大学学报(社会科学版)》
2018年第5期60-63,共4页
Journal of Anhui University of Science and Technology:Social Science
基金
2018年安徽省教育厅人文社科重点项目(SK2018A0090)
关键词
纽约派
诗歌
音乐
New York School
Poetry
Music