“杀戒”背后的“杀心”——以《杀戒》为中心的“问题婚姻”思考

The Thought of Killing behind "Redemption" : Thoughts on "Problematic Marriage" Centered on "Redemption"

近十年来,"凤凰男"主题家庭伦理剧成为中国家庭伦理剧的一个重要分支。改编自当代作家俞胜利小说文本的电影《杀戒》,凸显了"凤凰男"与"孔雀女"的"问题婚姻"背后的生存地位、文化身份与阶层固化的空间区隔化问题。基于城乡分治与社会发展失衡历史语境,"农裔"知识分子从高考进城到婚姻围城,剧情结尾的"杀戒"成了无法完成的结尾,亦成了"杀心"与"虐心"的未完成的社会问题思考。

In the past ten years,family ethics dramas with"ugly duckling"as the theme have become an important branch of family ethics dramas in China.The film"Redemption",adapted from a novel of Yu Shengli,highlights the survival status,cultural identity and the spatial separation of class solidification behind the"problematic marriage"of"ugly duckling"and"silk-stocking lady".Based on the historical context of urban-rural divide and social development imbalance,the"agricultural"intellectual entered the city through college entrance examination and then encountered problematic marriage,and the"redemption"at the end of the plot became an incomplete ending and became an unfinished thinking on social issues about the"thought of killing"and"heart-tormenting feelings".