创伤记忆与视觉物证——张晓刚与作为个体创伤体验的“艺术见证”

Memories of Trauma and Physical Evidence of Vision——Zhang Xiaogang and the “Artistic Witness” as the Individuale Experience of Trauma

从"艺术见证"这一思想视野看,张晓刚的40年艺术生涯及其图像文本不仅是一个艺术风格史或形式理论的话题,而且是一个深度地卷入了个体生存的病理创伤、心理记忆与历史叙事等相关关系的存在论问题。张晓刚的艺术史价值在于他有力的以视觉方式为我们的创伤记忆提供尽可能多的直观图像与视觉物证。

From the ideological vision of“artistic witness”,40 years’art career of Zhang Xiaogang and the images are not only the topic of history of artistic style and theory of forms,but also an ontological problem that involves with the pathological injury of individual existence,psychological memories,historic narrative and the related relationships.Zhang Xiaogang’s value of art history lays in providing use with images and physical evidence of vision for our memories of trauma through his powerful visual method.