摘要
从中国传统小说叙事模式发展看,以《桂公塘》等为代表的郑振铎历史小说,继承诗骚传统,吸收五四新文学的精华。该类小说摈弃传统写法,弃全知视角而用有限视角,以人物为中心,综合运用心理独白、语言表现功能和景物描写,使小说洋溢浓厚抒情气氛。同时肯定现代性并不忽视小说传统因素,根据艺术需要也有引诗歌入文。在中国文学走过"以中拒西""以中化西""以西化中"后,郑氏的小说达到了"融汇中西",这反而是中国现代小说成熟的表现。
From the development of Chinese historical novel’s narration pattern,Zheng zhenduo’s historical novels which represented by Guigongtang inherited the tradition of Shi and Sao,inspired the essence of New Literature which developed since Wusi.The articles abandon the traditional writing ways,discard omniscient perspective but limited perspective.Centered by characters and the mental monologue,the articles show a strong lyrical atmosphere through its language representation and scenery description.Affirming the modernity but not neglecting traditional elements,the articles put into songs according to the need of arts.After Chinese literature and Western literature going through resisting and changing steps,Zheng’s paper has reached“the confluence between Chinese and Western”,which represents the mature of Chinese modern novel.
作者
金周详
JIN Zhou-xiang(Shanghai International Studies University,Shanghai201600,China)
出处
《宁波教育学院学报》
2018年第6期75-77,109,共4页
Journal of Ningbo Institute of Education
关键词
历史小说
有限视角
心理描写
以景衬情
融贯中西
historical novel
limited perspective
psychological description
with scene lining feeling
confluence between Chinese and Western