摘要
民国时期在名伶的推动下,以京剧为代表的戏曲拓展海外传播进入到了一个全新的阶段,形成了海外传播的高潮。京剧形成世界性传播的过程中,一方面形成了不同的跨文化实践成果与理论成果,另一方面也促使人们对京剧海外传播向更深领域思考,对于极具中华传统美学经验的艺术载体,如何形成它的普世性价值,如何参与世界性的当代艺术建设都具有重要的意义。
In the period of the Republic of China,driven by famous opera actors and actresses,the expansion of overseas communication of dramas represented by Peking Opera,has entered a new stage and formed the climax of overseas communication.In the process of forming a world-wide communication,Peking Opera has developed different cross-cultural practice achievements and theoretical results on the one hand,and on the other hand,it has prompted people to think about the overseas spread of Peking Opera deeply,and for the artistic carrier with Chinese traditional aesthetic experience,how to form its universal value and how to participate in the construction of world-wide contemporary art is of great significance.
作者
荆芳
钟鸣
JING Fang;ZHONG Ming
出处
《浙江艺术职业学院学报》
2018年第3期47-53,74,共8页
Journal of Zhejiang Vocational Academy of Art
关键词
戏曲革新
跨文化传播
梅兰芳访日、访美
opera innovation
cross-cultural communication
Mei Lanfang visiting Japan and the United States