探究塔塔尔族民俗节日“撒班节”仪式舞蹈

Exploring the Ceremonial Dance of Tatar Folk Festival “Saban Festival”

2008年塔塔尔族民俗节日"撒班节"被列为第二批国家非物质文化遗产,传统民俗节日为仪式舞蹈"撒班托依""艾皮帕"等保留节日性民间舞蹈提供了广阔的传承空间,为民间舞蹈的表演内容提供了特定的社会文化背景。中国艺术研究院马盛德研究员曾提到:民俗是民间舞蹈依存的土壤,民间舞蹈在民俗活动中产生、传承和发展。如今,由于诸多因素的影响,传统塔塔尔族仪式舞蹈不断受到地域多元文化、现代多元文化、舞蹈传播与舞蹈重视程度不足等冲击,面临生存的困境,使传统塔塔尔族民间舞蹈处于口渐式微的境遇之下,令人堪忧。通过田野调查、文本口述资料的收集整理,试图分析塔塔尔族传统民俗节日"撒班节"中仪式舞蹈的现状与保护、传承可行之策,力争运用交叉学科的理论与方法对塔塔尔族节日仪式舞蹈进行全方位探究,为民族舞蹈文化提供一些新视野、研究视角,为今后研究者对其的进一步研究有所促进。

The Tatar Folk Festival“Saban Festival”was listed as the second batch of national intangible cultural heritage in 2008.The traditional folk festivals reserved festival folks for the ceremonial dances“Sabantoy”and“Apipa”.The dance provides a broad space for inheritance and provides a specific social and cultural background for the performance of folk dance performances.Researcher Ma Shengde of the China Academy of Art once mentioned that folklore is the soil in which folk dance depends,and folk dance is produced,passed down and developed in folk activities.Nowadays,due to the influence of many factors,the traditional Tatar ritual dance is constantly impacted by regional multiculturalism,modern multiculturalism,lack of attention in dance communication and dance,and faces the predicament of survival,which makes the traditional Tatar folk dance in a gradual situation.It is worrying.Through the field investigation and textual oral data collection,this paper analyzes the status quo and protection and inheritance of ritual dance in the traditional folk festival“Saban Festival”of Tatar,and strives to use the theory and method of interdisciplinary to dance the Tatar festival.Carry out all-round analysis and provide some new horizons and research perspectives for the national dance culture;it will promote further research for future researchers.