镜像理论下女性私人化写作自我认同的确立——以《私人生活》为例

Establishment of Female Self-identity in Private Writing under the Perspective of Mirror Theory——Taking Private Life as an Example

20世纪90年代的女性“私人化写作”的多数文本中出现大量的镜子意象,它不仅仅是女性确立与构建自我形象的道具,更是女性在成长的过程中,与他者不断接触,认识自我、确定自我并最终使自我意识觉醒的象征。雅克·拉康通过他的“镜像阶段”理论阐释了主体(婴儿)通过镜像不断认识自我,最终确立自我的理论。陈染的《私人生活》中女主人公倪拗拗自我审视与认同的过程,与拉康的镜像阶段理论恰有一定的共通性。

A large number of mirror images appeared in the majority of women's"private writing"in the1990s.It is not only the props for women to establish and construct their self-image,but also to symbolize women's self-knowing,self-identification,and finally to realize self-consciousness in the process of growing up with others.Through the"mirror stage"theory,Jacquecon explained that the subject(infant)continuously recognizes himself through mirror image and finally establishes himself.The process of self-examination and self-identification by the heroine“Ni Aoao”in Chen’s Private Life coincides with Lacan’s mirror stage theory.