从如画看西方现代美学的自律

On the Self-discipline of Modern Western Aesthetics from the Perspective of Picturesque

如画是西方古典美学向现代美学过渡的"桥梁",作为通向西方现代自律性美学的中介阶段,如画提供了一个单朴地认知现代美学本质特征的基点。如画呈现了西方现代自律性美学的三个基础性内涵,即"无利害性"观念、对感觉感受性的推重和对人之主体性的凸显,此三者在如画中的本质性关联揭示了西方现代美学自律的内在逻辑。作为西方现代美学的酝酿阶段,如画既归属于美学"现代性"的范畴,也包含了"非现代性"(前现代或后现代)的因素,后者为洞悉西方现代美学的边界、解决其引发的问题、促进当代美学研究的发展提供了拓展性的视野。

Picturesque is a“bridge”of the transition from western classical aesthetics to modern aesthetics.As an intermediary stage leading to western modern self-discipline aesthetics,Picturesque provides a basic point on which we can understand the essential characteristics of modern aesthetics simply.Picturesque presents three basic connotations of western modern self-discipline aesthetics,that is,the concept of“Disinterestedness”,the emphasis on sensory sensibility and the prominence of human subjectivity.The essential connection of the three above in the Picturesque reveals the internal logic of self-discipline of modern western aesthetics.As the brewing stage of modern aesthetics,Picturesque not only belongs to the category of aesthetic“modernity”,but also contains the factors of“non-modernity”(pre-modernity or post-modernity).The latter provides an expanded perspective for clearly knowing the boundary of western modern aesthetics,solving the problems caused by it and promoting the development of contemporary studies of aesthetics.