摘要
明清时期女诗人蔚然兴起,逐渐成为震荡文坛的一股力量。面对传统道德话语的压力,明清女性用形象、行为与诗文方面"去女性化"的策略来努力扩大生存与创作的空间以及争取文坛的合理地位。明清女诗人的"去女性化"现象及文学创作被士人所排斥的同时亦受到部分开明士人的支持,基于此点,女诗人自身的态度也十分矛盾,而这也说明了"去女性化"始终是一种未完成的状态。
During the Ming and Qing Dynasties,female poets rose up and gradually became a shocking force in the literary world.Faced with the pressure of traditional moral discourse,female poets in Ming and Qing Dynasties tried to expand the space for survival and creation and strive for a reasonable position in the literary world with the strategy of“de-feminization”in image,behavior and poetry.The phenomenon of“de-feminization”of female poets in the Ming and Qing Dynasties and the literary creation were rejected by the scholars,meanwhile,also supported by some open-minded scholars.Based on this,the femal poet's own attitude is also very contradictory,which also shows that“de-feminization”is always an unfinished state.
出处
《华侨大学学报(哲学社会科学版)》
CSSCI
北大核心
2018年第6期115-124,共10页
Journal of Huaqiao University(Philosophy & Social Sciences)
基金
国家社会科学基金重点项目"清代江南文人日常生活与文学创作研究"(16AZW009)
关键词
明清
女诗人
“去女性化”
Ming and Qing Dynasties
female poets
“De-Feminization”