李渔编剧艺术“三美说”新论

A New Interpretation of LiYu's “Three Beauties Theory” for Scriptwriting Art

李渔提出戏剧创作"三美说",该学说从故事情节、戏剧语言、文化功能三个方面对戏剧创作问题进行系统考察,由此提出情事新奇、文词警拔、有裨风教三项要求。李渔的"三美说"既是对前人编剧理论思想资源的吸收与整合,也是对他本人创作实践的思考与总结。重新解读和梳理"三美说",对于我国当前的戏剧创作以及新时代特色编剧理论体系的构建具有重要的启示意义。

Li Yu put forward the theory of“three beauties”in drama writing,which systematically inspected the problems of drama writing from three aspects:story plot,drama language and cultural function,then from this,he suggested three requirements:novelty of events,refined words,and value transmission on drama creation,which is called“three beauties”of scriptwriting art.Li Yu’s“Three Beauties”is not only the absorption and integration of the predecessors’theoretical resources of scriptwriting,but also the thinking and summary of his own creative practice.Therefore,reinterpreting the theory of“three beauties”is of great significance to the current drama creation in China and the construction of the theoretical system of the new era.