摘要
17世纪前后,意大利人切萨雷·里帕编撰的一本为寓意式艺术提供拟人形象创作参考和属像(Attributes)标准的图像志手册——《图像学》——开始在文艺领域广泛流行,且影响力长达两个世纪之久。《图像学》所具有的权威性地位,建基于里帕对古代知识资源的有效搜集与整理,及其目标明确的遴选与组合。借助"Fortuna"(机运)等拟人形象范例,对《图像学》早期版本进行文本辨析可知,里帕编著《图像学》所借鉴的各类文学性和图像性资料来源为:古代著述中摘引诗句、箴言;前人保留下来的、现成可用的"寓意形象"方案;文艺复兴时期流行的一些神话手册及徽志类图像书籍,比如薄伽丘《诸神谱系》、纳塔利斯·科梅斯《神话学》、阿尔恰托《徽志集》,以及霍拉波洛与瓦莱里亚诺的《象形文字》;古代雕塑和纪念碑浮雕。
Around the17^th century,an iconography handbook,Iconologia,written by the Italian Cesare Ripa,began to get popularity in the field of literature and art,and gained two centuries of influence.The authority of Iconologia was built by Ripa's effective collection of resources of classical knowledge,and his definite selection and composition.This article uses personification examples of"Fortuna"in the early editions of Iconologia to analyze its texts.The materials of Iconologia derived from the poems,mottos of ancient masterpieces,allegorical imagery scheme,popular handbook of mythology and Emblematum liber in Renaissance,such as Boccaccio's Genealogie deorum gentilium,Natal de'Conti's Meteologie,Alciato's Emblematum liber,Oro Apolline and Pierio Valeriano's Leroglifici,and ancient sculptures and monument reliefs.
出处
《艺术探索》
2018年第6期48-59,共12页
Arts Exploration
