摘要
本文从外部研究的角度探讨20世纪末以来帖学复兴的思想原因。由于中国现代化进程带来的普遍精神困境,使文化寻根与怀旧成为重要的缓解救治途径。其中帖学以其对自然、神性和诗意的呼唤,特别有利于现代人的精神慰藉和人性改善。帖学复兴还带动了一系列怀旧产品的生产与消费,带来相关文房生活和优雅文化的追求。书法审美转向的背后更是一种生存方式的转向,是以寻根和怀旧的方式引导一种审美现代性之路。
From the perspective of external research,this paper discusses the ideological reasons for the revival of study of calligraphy book history since the end of 20th Century.As a result of the general spiritual dilemma brought about by China's modernization process,cultural rooting and nostalgia has become an important way to alleviate and cure.The study of calligraphy book history,with its call for nature,divinity and poetry,is particularly conducive to the spiritual comfort and improvement of human nature of modern people.The revival of post learning has also led to the production and consumption of a series of nostalgic products,bringing about the pursuit of cultural life and elegance.Behind the aesthetic turn of calligraphy is a change of living style,which is a way of aesthetic modernity guided by root seeking and nostalgia.
出处
《南京艺术学院学报(美术与设计)》
CSSCI
北大核心
2018年第6期115-118,210,共5页
Journal of Nanjing Arts Institute:Fine Arts & Design
关键词
帖学复兴
现代性
怀旧
寻根
From an Abstract World to an Experienced World
The Concept of Mapping in Modern and Contemporary
Architecture Knowledge System