从空间弥漫到境心相印——云南怒江傈僳族“摆时”歌唱的“具地体现”研究

From Space to Mind: A Research of the Localization of Baishi Singing of Lisu People in Nujiang Area in Yunnan

流布于怒江地区碧落雪山两侧的傈僳族民歌——"摆时",是傈僳族身份认同及文化标识的重要音乐事象,这一带有明显装饰性大波动喉颤音歌唱方法的"声音景观",不仅显示了一个族群对该人群共同体"原生纽带"(primordial ties)的认同与忠诚,也凸显出族缘与地缘关系之间的相互影响。"摆时"蕴含着傈僳人音乐生活中所体现出的内隐和外显的观念表达,体现了傈僳人在特定文化背景下形成的歌唱"声音"的独特性,构成了他们文化精神意念活动和社会生活的重要组成部分。

Baishi,a genre of Lisu people'folk songs on the both sides of Biluo Snow Mountain in Nujiang area,is the ethnic identity of Lisu people ainl an important musical event of their cultural identification.The obvious characteristic“soundscape”of Lisu people in this area is a singing methid of ornamental throat vibrato with large variation.It not only dismays their identities and loyalty of their community's“primordial ties”,but also features interrelationship between ethnic origin and geography.Baishi implies internal and external expressions which are embodied in the musical life of Lisu people.It reflects the uniqueness of singing“voice”formed under certain cultural background of Lisu people.Baishi is also an essential constituent of their cultural and spiritual activities and their social life.