“山居”主题作品研究——以《山居吟》与《山居图》为例

Study of the Works Themed on “Living in the Mountains”:Taking Cases of Song Of Living In The Mountains and Painting Of Living In The Mountains

艺术作品主题在不断的往复性表现与变迁过程中,构成了艺术史发展的独特推动实因,在留存或是消解原本主题文化内涵的基础上,形成或致使艺术作品隐性主题阐释的新指向。同一"山居"主题在历经不同时代、不同艺术家、不同创作表现形式等延续性地被传承的过程中,"山居"与"归隐"的意涵逐渐圆融成为艺术表达的一种主题定式,然而伴随着创作者在个体精神思想倾向上的共鸣和延展,主体定式的隐性指向成为附加内涵,比较显著地呈现在山水画和古琴曲中的"山居"主题作品当中。主题的共鸣使得不同艺术形态的艺术作品内在意蕴有了潜在的连接与变迁指向,同一主题在指向性上形成的差异互释也是实证作品主题与创作者个体心灵诉求的重要体现。

The continuous inlerpretalion and change of the themes of art works constilute the unique impetus lo the developmenl of art history,which form new direction of the interpretation of hidden themes of art works,on the basis of either retain or eliminate the original themes of the cultural connotalion.During the continuous inheritance in which the same theme of‘?Living inthe mountains’,experienced different limes,different artists and different forms of creative expression,the meaning of“Living in the mountains”and**ReclusionM has gradually become an established theme of artistic expression.However,accompanied ljy the resonance and extension of the individual ideological tendency of the creators,the recessive indication of the main body becomes an additional connotation,which is more obvious in the themes of Mountain Dwelling in landscape paintings and Guqin music.The resonance of the theme makes the inner meanings of the art works in different art forms have a potential connection and a direction of change.The different explanations formed in the orientation of the same theme are also an important embodiment of the theme of the art works and the creators,individual spiritual appeal.