互文性与舞剧叙事的关系

Intertextuality and Dance Drama Narration

近些年在中国舞剧的创作中,无论是舞剧创作实践,还是理论研究层面,对于舞剧叙事的理解和呈现存在着一定的问题。舞剧叙事是一种"借事抒情"的特殊叙事。其中包含两个层面的意思:一方面,舞剧(人体语言)可以叙事,但是要对"事"进行合理的裁剪和转化;另一方面就是舞剧要找到合理有效的叙事方式和手段,通过恰当的舞蹈形式来完成叙事。舞剧中的互文现象体现在两个方面:舞剧文学剧本与所取材的小说等文本的互文;舞剧的舞台呈现与舞剧文学剧本的互文。互文性是舞剧叙事的基础。对于舞剧而言,重要的不是叙事,不是再现故事本身,而是抒情,而互文性的研究恰恰从另一个视角证明了这一点。

In recent creation of Chinese dance drama,problems exist in the understanding and expression of dance drama narration,regardless of creation or theoretical research. Dance drama narration is a special narration that "expresses feelings through narration". There are two meanings: on the one hand,dance drama (body language) can narrate,but a necessary editing and transformation of the narration is needed; on the other hand,appropriate and effective narrative measures should be developed for dance drama so that narration can be achieved by appropriate dance forms. The intertextuality in dance drama can be found in two aspects: the one between dance drama literary scripts and the sourced novels and other texts; and the other between the stage interpretation of the dance drama and the dance drama literary scripts. Intertextuality is the basis of dance drama narration. In regard to dance drama,the importance is not the narration,nor story itself,but the expression of feelings. Thus,the study of intertextuality proves this from another point of view.