摘要
中国都市电影是中国城市化进程中真实、生动的影像载体,其发展历程折射出中国社会的现代化和全球化进程,承载了中国人对于“现代”、“未来”和“全球化”的时空想象。进入21世纪以后,都市电影发展愈加繁盛,以影片《杜拉拉升职记》《北京遇上西雅图》《失恋33天》等为代表的“新都市电影”在青年观众中影响很大。本文即以“新都市电影”为阅读都市的一种媒介路径,从21世纪中国电影的全球化想象与跨地实践入手,思考在全球化语境下,“新都市电影”如何在影像世界里展现城市生活和都会景观,表达新一代都市青年在对摩登都会生活的文化想象。
The urban movie in China is a real and vivid image in the process of urbanization in China.Its development reflects the modernization and globalization process of Chinese society,and carries out the Chinese people’s space-time imagination of“modern”,“future”and”globalization”.After entering the new century,the development of metropolis films is more and more prosperous.The new urban movies represented by the movie Du Lala promotion,Beijing encounter Seattle and lovelorn33days have great influence on young audiences.This paper is based on the“new city film”as a medium path reading City,from the film industry in the new century of global imagination and cross the practice of thinking in the context of globalization,the“new city film”how to show the city life in the image world and landscape,the expression of a new generation of urban youth in the will the life of modern cultural imagination.
出处
《文化研究》
CSSCI
2018年第2期93-107,共15页
Cultural Studies
基金
江苏省“333”工程项目“新媒体环境下城市形象的建构与传播研究”(BRA2016434)
关键词
新都市电影
空间
都市想象
全球化
new urban film
space
city imagination
globalization